I have no issue with anyone pirating. In my country — and soon in Italy as well — all storage media sales include a small levy (Artisjus) intended to compensate copyright holders for losses from piracy. One could argue it's unfair if you're not actually using the media for copying, but having been forced to pay it regardless, I have no moral qualms about pirating content I don't feel like paying for.
By the same token, AI companies are in no position to complain when their models are scraped and distilled.
The way it works in France is that money goes to a company that collects it on behalf of all copyright holders. Its website does not offer any documentation as to how copyright holders can claim their share.
That sounds pretty shady. There's also the problem that most media generated globally is not French. Do they pretend to distribute the spoils globally?
In reality the system in these countries is pure corruption. The beneficiaries are large corporations who see it as an extra revenue stream and that's it.
Not completely. I know some french musicians who are great artists, but are not mainstream enough to sell enough records - and they do get state money to continue their art (progressive/psychedelic music, nothing tame).
It operates sort of like a guild. For music, there's the SACEM, where songwriters, musicians, etc. register themselves (hey I have this thing), and get help (e.g. SACEM invests in young aspiring music professionals) and royalties based on how their music was used and by whom. All music users pay SACEM for the use, and SACEM distributes the proceeds to the copyright holders.
Why is it fair that you get to be subsidized by everyone who does pay? Imagine a world where everyone had the same attitude as you and did not pay for any media. Pirates get to pirate only because most people don’t. So why are you so special?
You mean the fee I pay for piracy doesn't cover the cost of the piracy? Maybe they should remove the fee, so they can prosecute me for piracy, without me arguing it's covered by the fee.
Spain too; but legally sharing books and media without profit it's allowed.
Still, they should pay me in order to listen all the mediocre music and crappy 'best sellers' they often produce. More than often I'd just buy some indie book from a small publisher which has much better stories than the whole mainstream.
Heck; every time I try to read some Spaniard technotriller it justs sucks because they focus on crappy emotions everytime focusing near nil on scientific facts or tecnological backgrounds. If any, of course. Hello, Gómez Jurado with the Red Queen sagas.
Meanwhile, people writting half-fantasy/half-geopolitics fiction such as Fabián Plaza with its book depicting a paranormal Cold War were the Spanish Francoist regime never ended and the USSR took the whole Germany for itself, you will get more enganing books. The hippies in Woodstock summoned magical Lovecraftian monsters and the CIA/KGB among paranormal agencies try to fight these. The even mention Orgonic fields and
tons of American floklore on paranormal experiments from the CIA/USSR.
We all know it's actual bullshit but it's documented bullshit.
Modulo the magic, the author applied as a diplomat for Spain a few decades ago so he knows
how to create a thriller by predicting how the characters will behave psichologically much better than the Gómez Jurado's books creating
an Aspie Mary Sue character getting aspull skills.
The mainstream alternative? Some Humanities woman as the maincharacter alleging bullshit 'prime number finding' in order to boost IQ as a goverment experiment against another high IQ psychopath.
The media in Spain sucks because Spain arrived late to a scientifical mindset socially -thanks, Francoist /s- and male/female Humanities people dominate both the press and the literary world. Instead of Gideon Crew like books (which are a bit bullshit, but with a bit of realism too) like sagas, we get drama bound thrillers with no actual research; if any, hidden Apple product placements.
You would say, heck, Dan Brown it's the same and Tom Clancy's novels are a joke against the ones from actually versed people throwing stereotypes away because they did a good research (the US is not just a bigger Texas and Spain is not a big Andalusia), but that's not the issue here.
The matter it's that most of the readers in Spain are women, and somehow they are afraid of reading a thriller with less drama and emotions and more action (action women do exist you know) and resolution and developing actual skills o the spot instead of aspulling them.
Just look at text adventures. Anchorhead it's just a modern Lovecraft retelling but it has a female protagonist and you as the player should drive her solving all the ingame puzzles. If something like that existed in 1998, the Spaniard should be able to write tons of interesting media (books and series)
where crimes were not solved with people
just happening to be in the right spot at some specific time. That's a cheap writting and an obvious neglection to the reader allowing him to join the proofs together.
The comment section under any AI-related article is unbelievably negative, and the headlines are feeding the fire too.
Ashley Belanger's articles are the most notorious examples, like "Bombshell report exposes how Meta relied on scam ad profits to fund AI". The actual content has nothing to do with AI; Meta simply spends on AI infrastructure from profits made elsewhere...
I still read and sub to Ars - as they are the least bad source of day-to-day technews - but quality is dropping.
According to Claude (easy guess from the wikipedia link?):
The book is almost certainly by *Franco Moretti*, who coined the term "distant reading." Given the timeframe ("maybe a decade ago") and the description, it's most likely one of these two:
1. *"Distant Reading"* (2013) — A collection of Moretti's essays that directly takes the concept as its title. This would fit well with "about a decade ago."
2. *"Graphs, Maps, Trees: Abstract Models for Literary History"* (2005) — His earlier and very influential work that laid out the quantitative, computational approach to literary analysis, even if it didn't use "distant reading" as prominently in the title.
Moretti, who founded the Stanford Literary Lab, was the major proponent of the idea that we should analyze literature not just through careful reading of individual canonical texts, but through large-scale computational analysis of hundreds or thousands of works—looking at trends in genre evolution, plot structures, title lengths, and other patterns that only emerge at scale.
Given that the commenter specifically remembers learning the term "distant reading" from the book, my best guess is *"Distant Reading" (2013)*, though "Graphs, Maps, Trees" is also a strong possibility if their memory of "a decade" is approximate.
tbf 95% of the time when I get a gift card these days it's Amazon or a big retail chain, that ain't exactly a deep cut in the gift department either.
We should probably normalize Chinese Red envelopes because honestly I'd take a nice envelope with a hand written note and some crisp bills over the annoying gift cards (https://en.wikipedia.org/wiki/Red_envelope)
Also some people struggle to spend money on themselves without guilt. Gift cards absolve that guilt as they can buy that thing without feeling bad about it
Same reason they gift you a book instead of a can of petrol. By giving you a gift card, they're forcing you to buy something sold at a specific store chain, not to buy more petrol.
It can also be a way to make sure e.g. “fun money” gifts are actually spent as intended, getting around things like sense of responsibility, overbearing spouses, etc making the recipient feel obligated or pressured to spend it some other way.
I’m 100% with OP on this. So many posts on the front page have names like “Hamburger — a tool for doing a thing.” These names are neither memorable nor distinctive, good luck trying to look them up later.
By the same token, AI companies are in no position to complain when their models are scraped and distilled.
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