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You should maybe start off with his interview with Publisher’s Weekly. He said a couple of things about the YA genre that just aren’t true. The biggest one was that he seems to think it doesn’t take a lot of brains to write YA whereas his book is somehow special.

That interview was the first time that anyone had taken any notice of Bergstrom. So then, everyone read his excerpt.

(Incidentally, that’s a bad flow in writing. If your press insults an entire genre, your excerpt better be damned flawless. This goes 100x if you’re talking YA.)

The first paragraph delivers a really traditional out of touch old dude description of the Hunger Games. That’s treading on dangerous territory because you’re dealing with a universe that young people have become deeply invested in.

The second quote violates one of the genre’s rules about writing women.

So, you’ve got a writer who signed a big contract and a film deal. His introduction to his genre’s fans was an absolute disaster. So, the genre’s fans did what they always do and made a huge mess.

Some might call it disproportionate but then they don’t understand the genre either. YA is about disproportionate reactions. That’s essentially marketing.

All of that should make everyone seriously question whether this is a Paramount growth hack. Heaven knows Paramount wouldn’t be the first company to try to create controversy when they own rights to a book.



>YA is about disproportionate reactions. That’s essentially marketing.

I think you are entirely missing the point of these comments, which is: the "disproportionate reactions" of the YA community are hateful, bizarre, mob-like, and often dip into censorship.

You're also stating that the "genre's fans" are to blame. As the comments above clearly state, the criticism in this thread is toward the professional authors who take part in these mobs. Not the "young people."




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