> Artists who succeed following traditional models (who, incidentally, are the most supportive of draconian copyright laws) are the ones who marketed themselves more heavily and got more access to traditional media: they went on TV, did interviews and concerts, paid for airplay... -- without any of that, they wouldn't be "popular".
Sometimes (maybe mostly). Other times it's because the artist is actually good and people buy their stuff just by word of mouth (Metallica is actually more an example of this). I think it's easier to tell in hindsight which is which. Milli Vanilli vs. Led Zeppelin, for instance.
The traditional role of the record company wasn't to manufacture music and shove it down our throats, but to be the filter--find the good musicians and sign them up. While I agree that there is a lot of manufactured crap out there, I do think that you can't dismiss all pop music because there are actually artists out there that are good and popular.
Incidentally, I think the real revolutionary thing that napster did was stop the record companies from being the filter, at least in our minds. Being able to try out any weird music I liked was liberating and when I found some bands I liked I could look at that user's whole library and use it as a primitive recommendation engine. I was able to find way more indie stuff and it effectively gave some of the filtering controls over to me.
Sometimes (maybe mostly). Other times it's because the artist is actually good and people buy their stuff just by word of mouth (Metallica is actually more an example of this). I think it's easier to tell in hindsight which is which. Milli Vanilli vs. Led Zeppelin, for instance.
The traditional role of the record company wasn't to manufacture music and shove it down our throats, but to be the filter--find the good musicians and sign them up. While I agree that there is a lot of manufactured crap out there, I do think that you can't dismiss all pop music because there are actually artists out there that are good and popular.
Incidentally, I think the real revolutionary thing that napster did was stop the record companies from being the filter, at least in our minds. Being able to try out any weird music I liked was liberating and when I found some bands I liked I could look at that user's whole library and use it as a primitive recommendation engine. I was able to find way more indie stuff and it effectively gave some of the filtering controls over to me.