> But the AI is (supposedly) not making a copy of your painting.
You are mixing up the two things that I've mentioned in my original comment. You have to differentiate between creating a copy and creating a derivative work. Both of those things matter, when talking about AI, but the former is way more cut clear.
>The question is - to what extent does the exact image of your painting remain within the AI's data matrices?
And the answer is: It's irrelevant. The model has to be ingested with a copy of something. That's all that matters. The AI could even reject learning from that something. By the time that something reaches the AI to even do something with it, it's been copied (in the literal sense) who knows how many times, each of those times being a copyright violation.
I see what you're saying, though could you not say the same thing about the browser's internet cache? That copies the file from it's original server, to the user's local machine in order to display it efficiently.
The poster is wrong about what constitutes a copy (for the purposes of distribution). The temporary copy that resides in your browser's memory, or local caches, aren't considered violations unless they are publicly accessible.
I would put the same criteria to the copy made for the purpose of AI training. As long as you have the right to view the image, you would also have the right to ingest that image using an algorithm.
You are mixing up the two things that I've mentioned in my original comment. You have to differentiate between creating a copy and creating a derivative work. Both of those things matter, when talking about AI, but the former is way more cut clear.
>The question is - to what extent does the exact image of your painting remain within the AI's data matrices?
And the answer is: It's irrelevant. The model has to be ingested with a copy of something. That's all that matters. The AI could even reject learning from that something. By the time that something reaches the AI to even do something with it, it's been copied (in the literal sense) who knows how many times, each of those times being a copyright violation.