> these weird complaints about diversity in modern movies
You're twisting my words to move the narrative goalposts. Nobody complained about diversity in movies (otherwise I wouldn't have praised Rush Hour and Blade). The complaint was about US movies today being solely built around a toxic form of diversity checkbox ticking, masquerading as entertainment, which is not interesting to anyone outside the US crowds of movie goers who care more about seeing $CURRENT_DAY political issues in their movies instead of recognizing entertainment as being fantasy escapism, which causes the US to loose soft power abroad, and judging by how they flop at the box office, US viewers aren't interested in paying for this slop either.
>most of your good old days classics examples are in fact "slop based on established IP".
Source that they're slop?
>but Star Wars prequels given as a positive example while complaining about 30 year old IP slop?
The prequels were considered shit at the time because they were compared to the original masterpieces, but compared to the modern Star Wars that Disney shits out today, they're basically gold. They ended up ageing like wine due to how bad we have it today.
>You may also have missed the subtle subtext in Star Wars about fascism.
You're twisting my words to move the narrative goalposts. Nobody complained about diversity in movies (otherwise I wouldn't have praised Rush Hour and Blade). The complaint was about US movies today being solely built around a toxic form of diversity checkbox ticking, masquerading as entertainment, which is not interesting to anyone outside the US crowds of movie goers who care more about seeing $CURRENT_DAY political issues in their movies instead of recognizing entertainment as being fantasy escapism, which causes the US to loose soft power abroad, and judging by how they flop at the box office, US viewers aren't interested in paying for this slop either.
>most of your good old days classics examples are in fact "slop based on established IP".
Source that they're slop?
>but Star Wars prequels given as a positive example while complaining about 30 year old IP slop?
The prequels were considered shit at the time because they were compared to the original masterpieces, but compared to the modern Star Wars that Disney shits out today, they're basically gold. They ended up ageing like wine due to how bad we have it today.
>You may also have missed the subtle subtext in Star Wars about fascism.
What's your point here?